Wednesday, 7 March 2012

Bottege Veneta Autumn/winer 2012/2013

We have much direct contact with the body of this season, "said creative director Tomas Maier of Bottega Veneta show this morning." The aspect is covered and the materials are almost impenetrable, but the effect is physically huge. "

Explain "the best collection since joining Maier," Vogue Francisco burns there in June 2001, had all the quality of Bottega and has a closet full of laptops, well cut pieces. Always elegant and imaginative, this house can sometimes creativity rather than a practical function when it comes to ready-to-wear is - but today was all about women look beautiful developed.

Gray or navy blue dress flashing bar change had cashmere leather detail at the waist, while flat riding boots and perfectly tailored, princess dresses and sleeves aligned vertically, forties style day dresses were smart and saw beautiful to wear .

Beautification and bright feathers of the shoulders of tulle add feminine appearance brightness details - Bottega Veneta always adds enough but not too bright - while nylon socks prevents loose fit clothing chains treated bags were too research old-school accessories.

Bright orange, red and black, or black clothes and purple DeVore added a modern energy, while the velvet dresses with leaves on top and raw indigo and black gauze skirts had to be much younger - another body black velvet robe achieved criminals out of raw silk in the center.

It was vintage charm with modern luxury and balanced, as always, Maier took a big applause.

This is all about bottege veneta autumn/winter 2012/2013


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